One of the best things I've written

Those allergic to even the slightest touch of braggadocio should stop reading now.

Last night and this morning I reread something I wrote a while back that I think is really very good, in its conception,  its analysis, and in its expression as an effective piece of writing.

It wasn't "Democracy's Place in World History," which I wrote back in 1991 with Phil Paine; I hope that article did some good in the world, and I think it did. No, not that.

It wasn't my first book, the Fifth-century Chroniclers, a solid piece of work on how contemporaries understood what we think of as the fall of the Roman Empire. I got some good compliments on that, and I know it's one of those specialized studies that has a long scholarly half-life, maybe a century or so.

What gave me such satisfaction?

It was the chapter called "Will a Frenchman fight?" In my book Deeds of Arms. In what could almost stand as an article by itself, I tackled what for me is perhaps the most important passage in Froissart, the one which discusses the deeds of arms done at Vannes in 1381. Some of you will remember them – French and English champions fighting on foot, climaxing with an Englishman thrusting his lance  into an off–target area of his opponent and disgracing himself. To understand what was going on in this passage, I had to read all of Froissart's Chronicles (and much more) to see the big picture, what Froissart and his audience thought was chivalric and what they did not. I had to  be able to explain not just these deeds of arms, but many more depicted by Froissart and other way medieval writers.

And I think I succeeded. It's a good feeling.

Some readers may know that I am the editor of the Deeds of Arms series that Freelance Academy Press is putting out.  (Volume 1, Royal jousts at the end of the 14th century is already in print. )    I hope in ayear or so to make a book called Will a Frenchman fight? available in that series. It won't be a duplicate of the analytical chapter I have just been talking about: instead, it will be a collection of the original accounts of those famous deeds of arms and the campaign through France that they were part of, introduced by yours truly.

In the meantime, the volume on the Combat of the Thirty should be out very soon, including a full modern translation of the best account, plus much more. Stay tuned.               

Old Ironsides!

OK, despite my critical view of the War of 1812, I remain a fan of the USS Constitution.  With luck, she  sails again tomorrow.

Nevsky, by Ben McCool and Mario Guevera

In our time artists have a lot of choices of which genre  they will use to tell stories that inspire them. One common strategy has been to take tales that originate in comic books or graphic novels and fill them out by using all the resources of the movies. The Marvel superhero saga dominates film production these days. A somewhat different example can be seen in the transformation of a popular graphic novel,300, into a film whose artistic roots are unapologetically in comics.

Here we have an example of other artists  going the other direction: taking an epic film and turning it into a book that can be held in one's hands. I would be interested, sometime down the pike, to know how successful, commercially and artistically, this project is, how popular it turns out to be with the target audience.

This is certainly a labor of love. It is a faithful rendering of the 1938 film Alexander Nevsky, one of the most famous products of Sergei Eisenstein's filmmaking genius. There is no effort to disguise how much the authors owe to the original version of this story. In fact, quite a bit of space is devoted to telling the reader about both the historical Alexander Nevsky and his interpreter, Eisenstein.

Alexander Nevsky was a 13th-century Russian warrior who was remembered for fighting for Mother  Russia against two dangerous enemies, and East (the Mongol Golden horde) and West (the Teutonic Knights). In the late 1930s the story seemed both relevant and useful to Eisenstein and the Soviet regime that employed and often abused him. Japan loomed in one direction, Nazi Germany in the other. Whatever the facts of the historical Nevsky, he was needed as a symbol of Russian/Soviet determination in the face of daunting odds.

A story of great courage and heroism defeating treason and cruelty was right up Eisenstein's alley. If you like your heroes unsullied and your enemies black as black can be, Eisenstein is your man. The successful conjuring up of such figures makes the movie unforgettable once you see it. And the stark contrast is clearly what has inspired the two creators to take on this remarkable project.

Of course, the success of Nevsky will depend to a very great extent on its artistic appeal to aficionados of the genre. I'm not really in that crew. To my eye it looks pretty good. The art combines rich colors, heavy shading, and the occasional use of odd angles to emphasize some aspect of a scene.

I have to wonder whether this book will result in a new audience finding Eisenstein's films.

The eternal mystery of Muzak

Why is "Cisco Kid was a friend of mine" playing in a grocery in North Bay, Ontario  in August, 2012?

Homecoming

As the most regular readers know,or at least suspect, I am back home after being away for three weeks. Once again I was out camping in Western Pennsylvania for the duration of the Pennsic War of the SCA.

While we were there we experienced some of the extreme weather of 2012. We got the wet and stormy variety. When we got there the landscape was too dry for open fires, but the first two downpours took care of that problem.

When we came back to the Near North we were wondering what we would find. This area is pretty dry much of the time and forest fires are a possibility. We were in luck. Our horse-sitter told us that there had been nine days of rain, and she hardly had to top up the water buckets. So we found a landscape where there was real grass growing.

A close look, however, reveals that there are still plenty of places where nine days of rain was insufficient to revive the grass.the lack of spring blackflies has translated into a lack of blueberries.

My good wishes to all the farmers and gardeners out there who are struggling with drought.

A stunning pair of images

Over at TomDispatch.com:

How Not to Reconstruct Iraq, Afghanistan -- or America A Guide to Disaster at Home and Abroad By Peter Van Buren

Some images remain like scars on my memory. One of the last things I saw in Iraq, where I spent a year with the Department of State helping squander some of the $44 billion American taxpayers put up to “reconstruct” that country, were horses living semi-wild among the muck and garbage of Baghdad. Those horses had once raced for Iraqi autocrat Saddam Hussein and seven years after their “liberation” by the American invasion of 2003, they were still wandering that unraveling, unreconstructed urban landscape looking, like many other Iraqis, for food.

I flew home that same day, a too-rapid change of worlds, to a country in which the schools of my hometown in Ohio could not afford to pay teachers a decent wage. Once great cities were rotting away as certainly as if they were in Iraq, where those horses were scrabbling to get by. To this day I’m left pondering these questions: Why has the United States spent so much money and time so disastrously trying to rebuild occupied nations abroad, while allowing its own infrastructure to crumble untended? Why do we even think of that as “policy”?

Canadian chivalry

I just heard about this:

http://www.dailymail.co.uk/news/article-2174625/Modern-day-knight-crosses-Canada-horseback-spread-values-chivalry.html

I was alerted by Jeff Sypeck at Quid plura?  He has an interesting collection of links on Charlemagne, including a notification of a Brazilian Portuguese translation of his own book!

http://www.quidplura.com/?p=3773