Agora (2009)

This is a seriously good movie.

I haven't heard much unmixed praise for this film, not a lot of commentary at all, and I think it deserves better. So here are my observations.

You should know that the story concerns the 4th century Alexandrian philosopher Hypatia. As a woman philosopher she was an oddity, as an educated pagan she lived in an increasingly hostile environment. Alexandria was a major center for both Christians and pagans, and the two groups were competing for control of the city. The Christians were winning -- they had the support of Theodosius, the eastern emperor who eventually banned pagan observances. The conflict in Alexandria was quite violent at times. This is one of the times that the Library of Alexandria, a pagan institution, is supposed to have been destroyed. More certain is that Hypatia attracted the hostility of the Christian party, and was killed by a mob. It's a depressing story, and one that could easily be butchered.

There are three important aspects to the movie. One is its degree of success in evoking late fourth-century Alexandria. I give Agora very high marks indeed on this. Visually, the evocation of the city, with its mixture of Greek and Egyptian elements, is stunning and flawless. The dialogue likewise does nothing to throw the viewer back into the 21st century, while avoiding pseudo-historical cuteness. That is a harder trick than the mere statement might indicate.

Second is the depiction of the religious conflict between Christians on one hand and Jews and pagans on the other. This is certainly what has made distributors very reluctant to show Agora in most of North America, because the Christians don't come out of it looking good. I, however, have read a lot of late ancient ecclesiastical history, some fair amount of it on the turbulent Alexandrian developments of the era, and I found this account believable. Rioting monks were a staple of Alexandrian religious life, even in purely intra-Christian disputes.

Third is the scientific story. The film proposes that Hypatia came to reject the Ptolemaic view of an earth-centered universe, with the complex series of epicycles to make planetary movements correspond to the predictions of Ptolemy's theory. Instead, says the movie, she became convinced that a more elegant solution was possible, a heliocentric one. Because predictions based on circular orbits won't work, she, like Kepler, comes up with the notion that planets moved on elliptical orbits.

I don't think that there is any evidence that Hypatia did any of this, but that doesn't bother me. But I was sure before I saw Agora that the filmmakers would do a terrible job of this part of the film.

They didn't. Indeed, that part of the plot works very well indeed. Hats off to them. And particularly to the bright guy or gal who suggested intercutting images of the Earth from space in a few appropriate places.

This is a serious, good movie.

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