That’s a pretty good deal for these extra lines that not only add to the poem’s length, but have now cleared up some of the mysteries in the other chapters. These lines come from Chapter Five of the epic and cast the main characters in a new light. Gilgamesh and his companion Enkidu are shown to feel guilt over killing Humbaba, the guardian of the cedar forest, who is now seen as less a monster and more a king. Just like a good director’s cut, these extra scenes clear up some muddy character motivation, and add an environmental moral to the tale.
Senin, 29 Februari 2016
Minggu, 28 Februari 2016
How many at the combat of 30?
Well, 30+30 equals 60, right?
The problem is that various accounts imply that there were 30 men on a side in addition to the commander himself. Were there 31 on a side for a total of 62?
About 100 years ago, H.R.Brush edited the most detailed account, a product of Brittany and therefore written by someone well acquainted with the battle, and he concluded that there were 30 participants on either side. In my article, my chapter in the book deeds of arms, and in my source reader on the combat, I followed Brush.
But, at about the same time that I finished my source reader (called the Combat of 30, volume 2 of my series Deeds of Arms) , Michael Jones wrote an article called "Breton soldiers from the battle of the 30 (26 March 1351) to Nicopolis (25 September 1396)," which appeared in Adrian R. Bell et al., eds., The Soldier Experience in the 14th century (Boydell Press, 2011). Jones was very interested in the careers of Bretons in the first half of the Hundred Years War, and the best examples he could find were the men at the combat of the 30. He followed them as closely as he could, and he was able to find a quite a bit about them, at least about those on the pro-French side.
And he came to the conclusion that there were 31 on a side.
I have not gone through his list systematically hecking It against Brush's (in Modern Philology).
I'd love to farm this out to Will McLean but alas he is not available.
Jumat, 26 Februari 2016
The sounds of the past
Best thing about the dictionary? If you are content to have it in electronic form, it's FREE, FREE, FREE!And if you have a bundle to spend, you can have it in a very nice printed set.
Now there is scholarship for you.
About the same time, I ran across this article on ancient Greek music. Everyone who cares to know it knows that the ancient Greeks were world champions in their time in both painting and in music. But in both cases, just about none of it is left.
Just about!
Back in 2013, the BBC ran (in its business section!?) a detailed piece on how some of that music must have sounded (at least in a minimal "unplugged" form).
Revelation (for me at least): "In ancient Greek the voice went up in pitch on certain syllables and fell on others (the accents of ancient Greek indicate pitch, not stress)."
Wow! Does this mean that speaking ancient Greek was similar to singing?
If you are really interested in Viking archaeology...
Buko, Andrzej, ed. Bodzia. A Late Viking-Age Elite Cemetery in Central Poland. East Central and Eastern Europe in the Middle Ages, 450-1450. Leiden: Brill, 2015. Pp. xxxi, 624. $293.00. ISBN: 978-90-04-27829-5.
A lavish and detailed work aimed at a wide audience, published even before the excavation report. But the publishers have narrowed down that audience, as the reviewer, Neil Price, points out:
However, given such an impressive catalogue of achievement, there sadly remains one truly glaring problem, which is not the fault of editor or contributors: as ever with Brill's otherwise excellent early medieval volumes, this book is priced far beyond the pockets of students, academics or even libraries [SM]. If it really does cost nearly three hundred dollars to viably produce a volume like this, then one wonders if a pdf on Open Access might honestly be a better solution, or at least breaking it up into two or three more affordable paperbacks.
Senin, 08 Februari 2016
Reading some classics
I am living in a house full of other classics. I have recently picked up Thomas Babington Macauley's Critical Essays. Macauley is a famous, or formerly famous, politician, essayist, and educational theorist of the early 19th century. He wrote the Lays of Ancient Rome, including the famous story of Horatio on the bridge. He also convinced that the British government to make English the language of advanced education in India. He was a Whig among Whigs, a believer in the superiority of modern British institutions and attitudes toward liberty.
Macauley wrote a bunch of essays in the form of a very long book reviews. His book on critical essays includes many re-considerations of the careers of famous politicians of the previous century or even earlier: Thomas Cranmer, Horace Walpole, William Pitt, his son the earl of Chatham are all discussed at length. It's a little bit hard to follow if you don't know British history of the early modern period pretty well. On the other hand, McAuley's early Victorian prose is a delight? Staggering? Amazing?
Here is what he has to say about Cranmer, the Archbishop of Henry VIII so deeply involved in the English Reformation. He doesn't like Cranmer, and thinks that rating him as a martyr is ridiculous:
He voted for cutting off [Thomas] Cromwell's head without a trial, when the tide of royal favour turned. He conformed backwards and forwards as the King changed his mind. He assisted, while Henry lived, in condemning to the flames those who denied the doctrine of transubstantiation. He found out, as soon as Henry was dead, that the doctrine was false. He was, however, not at a loss for people to burn. The authority of his station and of his grey hairs was employed to overcome the disgust with which an intelligent and virtuous child [Edward VI] regarded persecution. Intolerance is always bad. But the sanguinary intolerance of a man who thus wavered in his creed excites a loathing, to which it is difficult to give vent without calling foul names. Equally false to political and to religious obligations, the primate was first the tool of Somerset, and then the tool of Northumberland. When the Protector wished to put his own brother to death, without even the semblance of a trial, he found a ready instrument in Cranmer. In spite of the canon law, which forbade a churchman to take any part in matters of blood, the archbishop signed the warrant for the atrocious sentence. When Somerset had been in his turn destroyed, his destroyer received the support of Cranmer in a wicked attempt to change the course of the succession.zThe apology made for him by his admirers only renders his conduct more contemptible. He complied, it is said, against his better judgment, because he could not resist the entreaties of Edward. A holy prelate of sixty, one would think, might be better employed by the bedside of a dying child, than in committing crimes at the request of the young disciple. If Cranmer had shown half as much firmness when Edward requested him to commit treason as he had before shown when Edward requested him not to commit murder, he might have saved the country from one of the greatest misfortunes that it ever underwent.
Selasa, 02 Februari 2016
Elections and the electorate in Russia and the United States
It's worth thinking about how elections work in various countries in this kind of detail. Some electoral systems are completely corrupt, but they are not necessarily corrupt in the same way. Some electoral systems are fairly successful in keeping governments honest, but I don't think anybody in a country with free election thinks the system works amazingly well. (If you know any Americans, name five who think the system is just hunky-dory.) Maybe they are ignorant of how bad things are elsewhere, but I don't think that's the most important thing. I think there's lots of room for improvement, and honest well-run elections are part of it. But assuring high quality elections isn't simple, and might not mean the same thing everywhere. And honest elections may well be only a part of the puzzle.
Let me quote Evgeny Feldman, just to give you an idea of what he sounds like:
FP: Based on how your readers react to your journalism, can you tell what they have the most trouble understanding about our system?
Feldman: I quite often encounter the opinion that it’s all а show. But in large measure this comes from the position, which at least in Iowa is quite popular, that Washington is lying to everyone, that the liberal media is lying, and so on. All the top candidates in this election are saying this, in one way or another. So [my readers] kind of have a garbled, misunderstood version of this.
But I don’t think it’s so much a mistrust of the people who are in the [American] establishment — I think it’s more mistrust of the system of elections, as such. Because in Russia, there’s a syndrome of “learned helplessness.” For decade after decade, our society has seen that its opinions don’t affect anything. Since 1996, for sure. People don’t believe that one can really choose.
[Here in Iowa City], I spent a lot of time with this elderly couple. We’ve done a lot of talking. They went to see a Cruz rally in a neighboring town, and they came back having made a decision to vote for him. And their explanation really shocked me. They said: “We want to vote for him because he’s proposing term limits [in Congress].”
The fact that this was the deciding factor — Cruz’s position on how the political system should be set up in principle — is really a huge difference [from Russia]. It’s very cool — a completely different level of political thinking than what we have.
With us, it’s heavily weighed in the other direction — no one discusses tax rates, or whether we should have legal abortion. They talk about whether Russia should look towards the West or towards Asia, and about the overall makeup of the system, but not about term limits. It’s more about whether we should have competitive elections at all.
FP: So, in Russia, political discussions are on a much more general level?
Feldman: Not even general, more like illusory. The issues are discussed among major parties that are all controlled from the center. Those that are independent are barely allowed to participate in elections.
FP: Are there any similarities between Americans and Russians that have surprised you?
Feldman: I think that, both here and there, there’s a part of the public that’s inclined to various conspiracy theories. But here it’s a little more grounded, for example, people say the only reason Hillary isn’t in jail is because she’s part of the establishment. I haven’t heard anything about the Masons, whereas we have that [in Russia].
At the beginning, I had a strong impression of similarity between the campaigns here and what [opposition leader Alexei] Navalny did in Moscow [when he ran for mayor]. I knew that he was orienting his campaign on techniques that were developed in the United States, but still, the similarity seriously surprised me, at least at the beginning.
There are differences, too. As far as I understand, here the rallies are done mainly for the benefit of the media. They all take place in a closed building God knows where. No one who’s just walking by can get in, because there won’t be enough tickets anyway, at least if it’s a top candidate. The rallies are done to show the media an image: that we have many supporters. Isn’t that right?
FP: I think so.
Feldman: In Russia, of course, it’s quite different. In Russia, opposition candidates absolutely cannot get into any building.In Russia, opposition candidates absolutely cannot get into any building. Not in winter and not in summer. Because either it’s a government building, or it’s private, but then there’s a “burst pipe” or some kind of inspection, if they try to schedule a rally. Also, Navalny can’t get on TV, so he does rallies outside. At least this way he can have some access to the voters.
FP: Has your opinion about American democracy changed while you’ve been here?
Feldman: I’ve always thought that the general elections are the most important stage. But now I understand that these primaries are even more important, because they allow more nuanced policy views to be spotlighted for the voters. So I’m really glad that I got to be here for this.
FP: So for you, this is a very serious exercise of democracy. It doesn’t seem like some kind of absurd circus?
Feldman: Of course there’s a certain element of “show.” But I can see that the absolute majority of people here take it very seriously. And I understand — this is probably mostly about Trump and his attempts to make the campaign about himself — that there’s an element of a talk show, and that’s probably bad.
But I follow the Democrats a little more, because their values are more understandable to me. For example, I live in a country that made abortions legal in 1920. So for me, the “pro-life” position is a completely incomprehensible thing. I understand, intellectually, where it comes from, but emotionally I can’t understand how anyone can support this. From this point of view, for me the Democrats are easier to understand.
FP: Of our candidates, who do you think would be most popular in Russia?
Feldman: On the surface, Trump is, of course, terribly similar to Putin.Trump is, of course, terribly similar to Putin.
Because in Russia, the elections are more like a choice between different aesthetics. That is, you have no chance to have an effect on actual policy. You can vote for the Communists if you’re nostalgic, for the screaming [Vladimir] Zhirinovsky if you want to bang your fist on the table, for [the ruling party] United Russia if you want to show your loyalty, and for A Just Russia if you’re loyal, but not very.
So in Russia, elections look different. It’s a ritual, a cult. You vote and it doesn’t change anything. Here it’s not like that — but in that way, on the surface, Trump is, of course, very similar to Putin. He’s the closest to this kind of Russian politics.
FP: In that, by voting for him, you’re more showing who you are than voting.
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