Well, today I was at the DIA and found out how wrong I was. Diego Rivera was in Detroit in 1932-3, and while he was there he was commissioned by the Ford heir, Edsel Ford, to do original work right on the walls of an interior court built specially for that purpose. It is a depiction Detroit Industry, showing its power, its dynamism, its potential for evil as well as good. What's haunting about the murals are the occasional appearances of warplanes, men in gas masks, and the production of poison gas bombs.
This is an amazing piece of art, and I bet next to no one knows about it anymore. There are lots of pictures on the web, including some posted by the Institute itself, but there's no substitute for seeing this kind of large-scale art in person. I gasped when I first saw it.
At the top of this post, is one small section of the mural which I think comes across fairly well at the scale at which you're going to see it. It shows workers in the foreground being observed by both men and women in dressier clothes. The observers have rather sour expressions on their faces. My theory is that the noise is probably overpowering. Or are they repulsed for some other reason?
I am rather surprised that the generally conservative Ford family patronized Diego Rivera. They must have thought he was the next thing to a communist. I mean, have a look at this (On a communist site yet.) Even the Detroit Industry murals show no sympathy for the captains of industry.
By the way, I should point out that the Detroit Institute of Art has mountains of good stuff in a very impressive building, right downtown in what might be called the museum district of Detroit.
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