Camillo Agrippa’s widely influential Treatise on the Science of Arms was a turning point in the history of fencing. The author — an engineer by trade and not a professional master of arms — was able to radically re-imagine teaching the art of fencing.
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His treatise was also a microcosm of sixteenth-century thought. It examines the art, reduces it to its very principles, and reconstructs it according to a way of thinking that incorporated new concepts of art, science and philosophy.
Contained within this handy volume are concrete examples of a new questioning of received wisdom and a turn toward empirical proofs, hallmarks of the Enlightenment. The treatise also presents evidence for a redefinition of elite masculinity in the wake of the military revolution of the sixteenth century. At the same time, is offers suggestive clues to the place of the hermetic tradition in the early-modern intellectual life and its implications for the origins of modern science.
Camillo Agrippa’s Treatise on the Science of Arms was first published in Rome in 1553 by the papal printer Antonio Blado. The original treatise was illustrated with 67 engravings that belong to the peak of Renaissance design. They are reproduced here in full.
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Ken Mondschein
Fencing: A Renaissance Treatise, First English translation, edited by Ken Mondschein
Sabtu, 10 Oktober 2009
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