Sabtu, 31 Oktober 2015

What we've lost

Will McLean, who I knew primarily as a medieval re-enactor, recently died, all too young.

To give you some idea of his humane intelligence, and what we have lost in his death,  I offer this post from his blog, A Commonplace Book:

sUNDAY, JANUARY 06, 2013


"Nobody ever suggested that Picasso should spend fewer hours painting per picture in order to boost his wealth or improve the economy."



In the middle of a very wise post about the long term value of accumulated intellectual capital that is often difficult or impossible to measure in monetary terms when it is first produced, Kevin Kelly uses the above example of Picasso as an argument.

It's a very poor choice, because Picasso was enormously successful at monetizing his intellectual output, and acutely aware that he could produce more faster by selling prints and book illustrations than by making individual drawings.

It's a poor example, but his fundamental argument is correct and important. There's a tremendous amount of intellectual output that's completely invisible to conventional measures of GDP. I learned about Kelly's article through Steve Muhlberger's blog. Steve doesn't carry advertising, so his blog is a free gift to the world. In conventional terms, its direct contribution to the economy is zero, but so much the worse for conventional measures of economic activity.

There's a whole enormous but difficult to quantify gift economy where we spend time making things for friends and strangers: blog posts and cat photos and Improv Everywhere performances, mostly unmediated by the exchange of money. We're like a planet of Kirstendalers, living well by spending time as each others' servants.

And one of the great strengths of this gift economy is that transaction costs can be very low. As the citizen of a rich society I can afford to spend my leisure as I wish. I can give it away if I want to.

Now a lot of this simply gives pleasure to friends and strangers, not that there's anything wrong with that. Those that do this do well.

Some fields, like my primary interest of history, don't do a lot to put bread on the table of the poor. Still, those that know their own past better are richer for it. Those that do that do better.

But, some ideas are so powerful that they can clearly make a society richer as long as the society survives, and successors that inherit it until they perish, and so on until the end of time. Those that do this do best of all.

One of the great ideas of the 20th century was nonviolent civil disobedience. It made the world better, and once invented could not be uninvented. But the inventors who brought it forward drew no worldly profit from it, but the reverse.

But think of the unlocked potential at the end of the struggle! How many U.S. citizens would prefer the laws and norms of 1954 to those of today? Few, I hope.

There are a lot of ideas like that, although few as powerful. Sometime the first draft is flawed (See: French Revolution 1.0) The second great strength of the 21st century gift economy is that each of us can throw our thoughts into the marketplace of ideas, and others can refute them or improve  on them, and we can respond to do better. Rinse, lather, repeat.

Jumat, 30 Oktober 2015

Remembering the music of the 60s



A few days ago a friend posted to Facebook a poster for the late-1960s band "It's a Beautiful Day," whose album of the same name came out in 1968.  I was inspired to go to YouTube and listen to the most popular track, "White Bird."  Now that song did not make much of an impact on mainstream radio, as I recall, but that video has nearly a million and a half plays and a long list of testimonials from listeners about how much it meant to them.

I am about the same age as these people, and I too have very fond memories of "White Bird." Of course one reason I feel that way is that I was in my late teens, when (according to a cliche that seems to be true) I was acquiring "the music of my life."  But I also am convinced that between about 1967 and 1973 there was an unusual explosion of creativity during which an amazing variety of music was produced by young people.

It's a Beautiful Day (the band) is a good example of the riches that we (those of us who were lucky enough to have alternative sources of music) had thrown at our feet in the late 60s.  Listen to their Top Tracks on YouTube and ask yourself, what genre is this music?  Rock and roll? Folk-rock? Hard rock? There are elements of all sorts of music that would soon enough become traditions of their own.  One has the thought that if there had been no popular music in 1967, and highly cultured aliens had given Earth It's A Beautiful Day all of the music of the 1970s could have been created from that single seed.

But it's not just IABD.  Dozens and dozens of other bands might have played the same roll.

I feel privileged to have experienced this amazing era in music.

Selasa, 27 Oktober 2015

Back to the Source -- A documentary on Historical European Martial Arts

Whatever you think of the subject matter -- the re-creation of late medieval and early modern martial arts starting with the surviving treatises from the period -- Back to the Source is quite an amazingly good documentary.

I have enough experience of the earliest SCA and its later evolution to recognize the attractive glow around people who are inventing something from early exemplars and creating a dream -- and creating a community in which the pioneering impulse is very strong.  Some of the interviewees worry that as HEMA progresses and becomes more standardized -- in other words as the pioneers teach a more sophisticated art to a large number of people -- something will be lost.

Sorry, folks, this is guaranteed to happen. You will attract people who want to practice "sport for sport's sake."  Some of them will care a lot more about winning than recreating a historical art.  Where pioneering HEMA members of today may respect scholarship as much or more than winning, a large, developed HEMA community will include plenty of people who value winning and winners more than the historical purists.

Enjoy it while you have got it.  Whatever your particular "it" is.

Minggu, 04 Oktober 2015

The national anthem of steampunk


I am a great fan of the era of explosive growth that is the 1850s -- a period which might be called the original and real steampunk era.   A friend of mine, Tim Moran, a recent PhD in American history, cited in his dissertation an actual poem (advertised as a folk song) from the 1850s that catches the excitement of that era:  

Our Fathers gave us liberty, 
But little did they dream,
 The grand results that flow along 
This mighty age of steam; 
For our mountains, lakes and rivers, 
Are all a blaze of fire, 
And we send our news by lightning, 
On the telegraphic wire

Jesse Hutchinson, Jr., 1850, Roude Folk Song Index 4556.

The painting, "American Progress," is by John Gast and dates from the 1870s.

Search this blog for "Beamish" for more unapologetic steampunk fandom.



Kamis, 01 Oktober 2015